David I Tafler

David I Tafler


"Drawing Spirits in the Sand:
Performative Storytelling in the Digital Age."
Religions 10(9)
August, 2019

"The World-Wide-Walks:
Interfacing natural-cultural-virtual identities."
Catalogue: Peter d'Agostino: Paseos a Nivel Planetario / entre la tierra y el cielo / 1973 - 2012
Bilbao, Spain. March, 2012

"World-Wide-Walks / Between Earth & Sky / Dun na nGall."
co-written with
Peter d'Agostino, Deirdre Dowdakin.
LEONARDO Journal Vol 45, Issue 2, 2012

"WorldWideWalks: mapping the 'mixed realities' of physical and virtual space-time."
co-written with Peter d'Agostino, International Journal of Art and Technology, Vol 2(4), 2009

"‘Rolling Thunder’: Changing communicationand the Pitjantjatjara Yankunytjara public sphere."
Pacific Journalism Review  The indigenous public sphere Vol 11(1), April 2005

"The Use of Interactive Media in Remote Aboriginal Communities."
Journal of Australian Aboriginal Studies
Fall 2000

"When analog cinema becomes digital memory..."
Wide Angle  November, 2000

"Techno Tolerances and Cultural Ambiguity: An Overview of the Creativity and Consumption Conference."
Convergence, Vol. 6, No. 1, 2000.

"First Encounters: Intersections of Meaning and Medium in Peter d'Agostino's Installations."
Catalogue Peter d'Agostino:
Interactivity & Intervention 1978-99

"Cerberus at the Gates of Cyberspace: Does a digital world preclude an underground cinema?"
In The Picture, Film and Television Institute of Western Australia, October, 1994.

"Does the outback represent the centre? Tracing electronic art tracks across Australia"
Electronic Arts in Australia. Continuum, Vol. 8, No. 1, 1994.

"The Techno/Cultural Interface: Tracking the boundaries of high-tech and traditional cultures."
Art & Cyberculture.  Media Information Australia, No. 69, August 1993.

"After one hundred years of chasing its tail, Cycling toward the year Two Thousand with the Black Maria Film/Video Festival."
12th Annual Black Maria Film and Video Festival Program, monograph, 1993.

"I remember television..."
From Receiver To Remote Control, New Museum catalogue, New York, Fall 1990.

"Der Blick und der Sprung." ("The Look and the Leap.")
Kunstforum, Bd. 103, September/Oktober 1989.

"The Circular Text."
Journal of Film and Video, Volume 40, No. 3, Summer, 1988.

"Autonomy/Community: Marginality and the New Interactive Cinema."
Cinematograph, Volume 3, Fall/Winter 1988-1989.

"Beyond Narrative: Notes toward a theory of interactive cinema."
Millennium Film Journal, Nos. 20/21, Fall 1988.

"Review: Peter D'Agostino's DOUBLE YOU (and X,Y,Z.)."
Journal of Film and Video, Volume 40, No. 1, Winter, 1988.

"Commentary: 'Exploring New Forms in the Visual Arts Through the Use of Electronic Tools: Videography and Computer Graphics,'" by Connie Coleman.
LEONARDO, Volume 21, No. 2,1988.

"The Economics of Renewal: Music Video and the Future of Alternative Filmmaking."
AFTERlMAGE, Volume 14, No. 2, September, 1986.

"Video's New Interactive Frontier." printed on the videodisc jacket DOUBLE YOU (and X,Y,Z.)
by Peter D'Agostino, distributed by Electronics Arts Intermix.

"Reception Theory at the 1986 Society for Cinema Studies Conference."
Quarterly Review of Film Studies, Volume 11, No. 3.

"DOUBLE YOU (and X.Y Z.): Video's New Interactive Frontier."
SPOT, the Journal of the Houston Center For Photography, Summer, 1986.

"An Argument For A Foundation Course In Video."
AFI Education Newsletter, Volume 6, No. 5, May-June, 1983.